Tag Archive for 'Vikas Swarup'

Chetan Bhagat: the paperback king of India

Robert McCrum in The Observer:

Chetan Bhagat

A year after the launch of Slumdog Millionaire, the Oscar-winning movie of Vikas Swarup’s novel Q & A, some more quiz questions: Who is the most read living Indian writer? Is it a) Aravind Adiga (Booker prize-winning author of The White Tiger); b) Salman Rushdie (Midnight’s Children); c) Vikram Seth (A Suitable Boy); or d) Arundhati Roy (The God of Small Things)?

The answer: none of these. Two generations after independence, one of the vital characteristics of the new India is that the educated middle class who once turned to English for business applications now see it in a different light. To them, in a manner typical of English language and culture in many parts of formerly colonial society, it is becoming decoupled from its bitter imperial past.

This new middle-class audience – small entrepreneurs, managers, travel agents, salespeople, secretaries, clerks – has an appetite for literary entertainment that falls between the elite idiom of the cultivated literati, who might be familiar with the novels of Amitav Ghosh or Salman Rushdie, and the Indian English of the street and the supermarket. Theirs is the Indian English of the outsourcing generation. For these people, there is only one author: Chetan Bhagat. Who? More:

Back with a bang: Jaipur Lit Fest

Posted by Namita Bhandare

Just when you thought it couldn’t get any bigger, the DS Jaipur Literature Fesival is back with Season V (Jan 21-25), with more international writers, more Indian writers and certainly a bigger anticipated audience than previous years.

Writers who’ve confirmed attendance include Nobel Laureate Wole Soyinka, Booker Prize winner Roddy Doyle and Amit Chaudhuri, widely regarded as India’s best-known writer of his generation.

To pretend that there is a hierarchy or even a social pecking order at the fest would be misleading. There are no tickets; entry is free to all. Everybody queues up for lunch and dinner — everybody including Salman (Rushdie), Pico (Iyer) and Vikram (Seth). Writers and readers lounge in the winter sun, signing books, drinking coffee and gossiping (oh, the gossip).

The Lit Fest is the baby of writers William Dalrymple and Namita Gokhale. Writing for The Guardian recently, Dalrymple said: “Wherever I appeared at literary festivals around the globe, all the usual celebrated Indian writers were there – everywhere, that is, except India.” 

And so, began India’s quest for a fest. Starting with 17 writers over three days, the fest will this year include 160 writers and performers. [See the complete programme and list of writers attending here.]

This year’s festival is set once again in the charming, heritage Diggi Palace, the haveli of the Thakurs of Diggi, a small princely state. The Durbar Hall with its Venetian mirrors and framed portraits of venerated gods and ancestors seats about 300. Over the years, however, as the number of writers descending on Jaipur has gone up, Diggi Palace has sprouted new venues. There’s the Mughal Tent (which seats about 100 people), Baithak (about 75) and the front lawn (can easily take upwards of 1,000).

It was at the front lawn, last year where Vikas Swarup received news that Slumdog Millionaire, Danny Boyle’s film based on his book Q&A had received 11 Oscar nominations. The crowd erupted in a roar as Swarup made his hasty departure for the film’s Mumbai premiere. Jai Ho.

Every fest has its own little gem, its highlights: Salman Rushdie ticking off ‘hostile’ journalists for what he saw as unfriendly reports in the press. Vikram Seth getting ticked off by a local newspaper for sipping a glass of wine while speaking to his moderator Sonia Faleiro.

This year’s showstopper could well be a controversial, woman writer and thinker. Her name is not up on the official programme yet, because she is yet to get a visa. But, do watch this space. If she comes, fireworks.

Previously on AW

The greatest literary show on earth

Slumdog glory

Rough Guide to the Fest

Here’s a Clue: Mr. Kumar, with a gun, in India

Photo: Vikas Swarup's website

Photo: Vikas Swarup's website

In the New York Times, a review of Vikas Swarup’s new book, “Six Suspects.” Swarup is the author of “Q&A,” the novel that became the basis for the smash-hit film “Slumdog Millionaire.”

Mr. Swarup’s second novel, “Six Suspects,” is a Bollywood version of the board game Clue with a strain of screwball comedy thrown in. Its stock characters are easily identified: the Bureaucrat, the Actress, the Tribal, the Thief, the Politician and the American. Each attended the party at which a man named Vicky Rai, a playboy film producer, was murdered. Each has a gun and a motive. And although the story’s geographical span is even bigger than India, the whole thing feels handily confined to the kind of isolated, air-tight setting that Agatha Christie’s readers love.

Thanks to such a schematic setup “Six Suspects” is gleeful, sneaky fun. But it’s also a much more freewheeling book than the format implies. Mr. Swarup, an Indian diplomat, brings a worldly range of attributes to his potentially simple story. And he winds up delivering a rambling critique of Indian culture, taking shots at everything from racism to reality TV. Yet Mr. Swarup’s style stays light and playful, preferring to err on the side of broad high jinks rather than high seriousness. A fizzy romp seems to be the main thing he has in mind. More:

A diplomat’s unlikely rise to ‘Slumdog’ acclaim

The recent career trajectory of Vikas Swarup is nearly as preposterous as the plot of his novel “Q&A” that the movie “Slumdog Millionaire” is based on. Mark McDonald in The New York Times:

Photo: Vikas Swarup's website

Photo: Vikas Swarup's website

It’s an impossible story, really, how a modest fellow from a family of lawyers becomes a back-office diplomat in the Indian Foreign Service, writes his first novel in a feverish two months, finds a clientless agent over the Internet and has a British director turn his mid-list book into a movie that wins the best-picture Academy award and seven other Oscars.

The recent career trajectory of Vikas Swarup is nearly as preposterous as the plot of his novel, “Q & A,” the tale of an uneducated waiter from a Mumbai slum who wins a billion rupees on an Indian quiz show. Mr. Swarup, 47, recently found himself onstage at the Academy Awards, celebrating in the joyous scrum of young Indian actors from “Slumdog Millionaire.”

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Slumdog glory. But where is the author?

Posted by Namita Bhandare from the Jaipur Literature Festival.

Spot the author

Spot the author

On the day that Danny Boyle, A.R. Rahman, Anil Kapoor and the cast of Slumdog Millionaire lit up the red carpet in the film’s Mumbai premiere on Thursday, January 22, one man without whom the film wouldn’t have existed was airdashing from Jaipur to make it just in time to get news of the film’s stupendous 10 Oscar nominations. It was Vikas Swarup who wrote Q&A, the book on which the film is based.

Swarup was clearly the star of the Jaipur Literature Festival’s first day’s events as a line of school children and other fans queued up to get a copy of their book signed by the diplomat-author. On the day the Oscar nominations were announced, Swarup slipped away to make it to the Mumbai premiere, although festival organisers said he was expected to return to Jaipur. Back in Jaipur it was another star associated with the film, lyricist Gulzar who basked in the glory of the announcement as champagne was popped and the audience broke into huge applause.

Swarup is chuffed about the film based on his novel reaping such huge dividends in the awards circuit (it won four Golden Globes, picked up 11 BAFTA nominations and has now received 10 Oscar nominations, including one for Simon Beaufoy for best screenplay adaptation). But he told author William Dalrymple, festival director with whom he had an hour long public interaction, that he had not been invited to the London premiere and finally had to buy his own ticket from Pretoria in South Africa where he is posted to London. “People kept asking me what I thought about the film and I hadn’t even seen it. So, I finally decided to buy my own ticket.”

Swarup seemed reconciled to the many changes and departures from his book in the film, although he said that the first draft of the screenplay had certain inaccuracies which he then had to fix. “However, the author becomes obselete once the film-makers come into play,” he said.

In Swarup’s book, the protagonist is named Ram Mohammed Thomas, a name changed to Jamaal Malik in the film. Salim in the book is not Jamaal’s brother but rather a street-smart friend. Even the title Q&A — which has a certain iconic ring to it, as pointed out by Dalrymple – was changed. Swarup defended the change saying that Slumdog Millionaire had a certain evocative quality. Moreover, he conceded that Beaufoy has been ‘faithful to the central premise in the book’.

But there were others in Jaipur who felt that Swarup ought to have been given more importance at the premiere and award ceremonies of Slumdog. “It’s a bit sloppy on the film-makers’ part to have left him out. I can only hope that it is an oversight,” said an admirer who didn’t wish to be named.

Swarup also brushed off criticism — most notably from Amitabh Bachchan — that Slumdog is too negative in its portrayal of a seamy underbelly of Mumbai. “India is so large and multifarious that a single book cannot represent the whole reality. It is at best only a slice of Indian life; not the only version of it,” he told Dalrymple.

Slumdog was to have premiered in Jaipur as part of the literature festival on Wednesday January 21, a day before the Mumbai premiere. The festival’s official programme lists the premiere in the presence of Vikas Swarup and Anil Kapoor, the film’s most recognisable Indian star. But the organisers announced that the premiere had been postponed to January 23 — and gave no reason for the decision.

Ironically, the copies of Q&A available at the festival venue (and the copies that Swarup signed in Jaipur) had a still from Slumdog the movie prominently displayed on the front jacket and was being sold as Slumdog Millionaire, the book previously known as Q&A! So, Slumdog could end up pushing the sales of his book. Don’t be surprised if he ends up having the last laugh. 

See reviews of Slumdog Millionaire in the Indian press here, here and here.

‘I’m the luckiest novelist in the world’

By day Vikas Swarup is a high-flying Indian diplomat; by night he’s a bestselling author. And now Slumdog Millionaire, the film based on his first novel, has won four Golden Globes. Stuart Jeffries meets him. In the Guardian:

When they made a film of Vikas Swarup’s bestseller, they gave it an extreme makeover. But can I get the author to say anything critical about Danny Boyle’s hit adaptation of his debut novel, about a penniless orphan who wins India’s Who Wants to Be a Millionaire? Not a chance. Swarup, you see, is a diplomat. And not just any diplomat: his sumptuous business card, embossed with three golden lions, tells me he is minister and deputy high commissioner of India, based in Pretoria.

They changed the title from Q&A to Slumdog Millionaire. (“That made a lot of sense,” says Swarup.) They changed the ending. (“Danny thought the hero should be arrested on suspicion of cheating on the penultimate question, not after he wins as I had it. That was a successful idea.”) They made friends into brothers, axed Bollywood stars and Mumbai hoodlums and left thrilling subplots on the cutting-room floor. Crucially, they changed the lead character’s name from Ram Mohammad Thomas to Jamal Malik, thereby losing Swarup’s notion that his hero would be an Indian everyman, one who sounded as though he was Hindu, Muslim and Christian. Instead, they made Jamal a Muslim whose mother is killed by a Hindu mob. (“It’s more dramatically focused as a result, perhaps more politically correct.”)

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Previously on AW:

Bachchan, Slumdog & more: a rough guide to the Jaipur Lit Fest

Posted by Namita Bhandare:

I know the organisers of the Jaipur Literature Festival (Diggi Palace hotel, Jaipur, January 21-25, entry free to all) love to say that the festival is democratic and that they don’t want to pitch one session over and above the others but here’s what I think will be the star events at the Lit Fest:

1. The Indian premiere of Danny Boyle’s Slumdog Millionaire. That the film has reaped awards at the Golden Globe and is tipped to be an Oscar favourite has only added to the curiosity factor. And now that Amitabh Bachchan has blasted the film for daring to show the ‘murky under belly’ of Mumbai (has he taken over from where Raj Thackeray left off?), the pre-publicity hype has just got a notch hotter. As they say in showbiz, any publicity is good publicity. Anyway, to come back to the film: present at the premiere will be, no not Danny Boyle (he’ll be in Mumbai) but Vikas Swarup who wrote Q&A, the book on which the script is based, and also, apparently, Anil Kapoor. I’m a bit alarmed by the filmi flourishes which the festival’s PR guides seem to favour (they roped Aamir Khan in last year), but I guess they’re doing it because they believe it sells the festival. If you ask me, the festival (now in its fourth year) doesn’t need much selling. Continue reading ‘Bachchan, Slumdog & more: a rough guide to the Jaipur Lit Fest’

Two Hollywood movies — made in India, with Indian actors

Slumdog Millionaire: 2008’s Juno?

Danny Boyle’s new film ‘Slumdog Millionaire‘ will close this year’s London Film Festival. Adapted by ‘Full Monty‘ writer Simon Beaufoy from the novel ‘Q&A‘ by Vikas Swarup, ‘Slumdog Millionaire‘ tells the story of an an 18-year-old orphan from the slums of Mumbai who finds himself just one question away from winning 20 million rupees ($500,000) on India’s “Who Wants to Be a Millionaire?

Danny Boyle’s (Shallow Grave, Trainspotting, 28 Days Later and Sunshine) movie features an all-Indian cast including Skins star Dev Patel and Anil Kapoor. Boyle filmed ‘Slumdog millionaire’ on location on the streets of Mumbai. Music is by AR Rehman. In a story headlined “Will Slumdog Millionaire be 2008’s Juno,” the New York Observer says it is already being positioned as 2008’s “little movie that could.”

Here’s an excerpt from the Variety review:

Driven by fantastic energy and a torrent of vivid images of India old and new, “Slumdog Millionaire” is a blast. Danny Boyle’s film uses the dilemma of a poor teenager suspected of cheating on the local version of “Who Wants to Be a Millionaire” to tell a story of social mobility that is positively Dickensian in its attention to detail and the extremes of poverty and wealth within a culture…

Surging with colors, music, the ever-present swarming multitudes and the vitality of its youthful characters, the pic begins disturbingly with the sight of police torturing a young man to make him confess how he’s been able to make a run up to the ultimate prize of 20 million rupees on the nation’s most popular quizshow. “I knew the answers,” the sullen fellow insists, and Simon Beaufoy’s intricate and cleverly structured script illustrates how that came to be.

The Pool: Another world, just over the hedge

Director Chris Smith’s (American Job, The Yes Men, American Movie) movie “The Pool” takes a look at the lives of the haves and the someday might haves in Goa. A poor boy (Venkatesh Chavan) becomes obsessed with the swimming pool of a rich man (Nana Patekar) in the opulent hills of Panjim, Goa. His life gets turned upside down when he attempts to meet the mysterious family that arrives at the house. Smith transfers an Iowa-based short story by Randy Russell to India’s western Goa region -- and works in Hindi. From the New York Times:

In “The Pool,” a recurrent image that develops into a symbol of the gap between affluence and poverty shows the waiflike Indian protagonist, Venkatesh (Venkatesh Chavan), perched in a tree, gazing longingly at a private swimming pool on the other side of a hedge. A skinny, 18-year-old man-child who longs to dive into the water, Venkatesh ekes out a living cleaning hotel rooms and selling plastic bags on the street with his 11-year-old sidekick, Jhangir (Jhangir Badshah). The shimmering pool, in which no one seems to swim, is a window onto a world he can hardly imagine.

This calm, neorealist film, directed and photographed by the documentarian Chris Smith (“American Movie,” “The Yes Men,” “American Job”), blurs the line between fiction and reality. As the characters, who have the same first names as the actors playing them, amble around Panaji, the capital of Goa, you come to see them more as people living their lives than as a writer’s inventions.

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