Tag Archive for 'Q&A'

Chetan Bhagat: the paperback king of India

Robert McCrum in The Observer:

Chetan Bhagat

A year after the launch of Slumdog Millionaire, the Oscar-winning movie of Vikas Swarup’s novel Q & A, some more quiz questions: Who is the most read living Indian writer? Is it a) Aravind Adiga (Booker prize-winning author of The White Tiger); b) Salman Rushdie (Midnight’s Children); c) Vikram Seth (A Suitable Boy); or d) Arundhati Roy (The God of Small Things)?

The answer: none of these. Two generations after independence, one of the vital characteristics of the new India is that the educated middle class who once turned to English for business applications now see it in a different light. To them, in a manner typical of English language and culture in many parts of formerly colonial society, it is becoming decoupled from its bitter imperial past.

This new middle-class audience – small entrepreneurs, managers, travel agents, salespeople, secretaries, clerks – has an appetite for literary entertainment that falls between the elite idiom of the cultivated literati, who might be familiar with the novels of Amitav Ghosh or Salman Rushdie, and the Indian English of the street and the supermarket. Theirs is the Indian English of the outsourcing generation. For these people, there is only one author: Chetan Bhagat. Who? More:

Here’s a Clue: Mr. Kumar, with a gun, in India

Photo: Vikas Swarup's website

Photo: Vikas Swarup's website

In the New York Times, a review of Vikas Swarup’s new book, “Six Suspects.” Swarup is the author of “Q&A,” the novel that became the basis for the smash-hit film “Slumdog Millionaire.”

Mr. Swarup’s second novel, “Six Suspects,” is a Bollywood version of the board game Clue with a strain of screwball comedy thrown in. Its stock characters are easily identified: the Bureaucrat, the Actress, the Tribal, the Thief, the Politician and the American. Each attended the party at which a man named Vicky Rai, a playboy film producer, was murdered. Each has a gun and a motive. And although the story’s geographical span is even bigger than India, the whole thing feels handily confined to the kind of isolated, air-tight setting that Agatha Christie’s readers love.

Thanks to such a schematic setup “Six Suspects” is gleeful, sneaky fun. But it’s also a much more freewheeling book than the format implies. Mr. Swarup, an Indian diplomat, brings a worldly range of attributes to his potentially simple story. And he winds up delivering a rambling critique of Indian culture, taking shots at everything from racism to reality TV. Yet Mr. Swarup’s style stays light and playful, preferring to err on the side of broad high jinks rather than high seriousness. A fizzy romp seems to be the main thing he has in mind. More:

A diplomat’s unlikely rise to ‘Slumdog’ acclaim

The recent career trajectory of Vikas Swarup is nearly as preposterous as the plot of his novel “Q&A” that the movie “Slumdog Millionaire” is based on. Mark McDonald in The New York Times:

Photo: Vikas Swarup's website

Photo: Vikas Swarup's website

It’s an impossible story, really, how a modest fellow from a family of lawyers becomes a back-office diplomat in the Indian Foreign Service, writes his first novel in a feverish two months, finds a clientless agent over the Internet and has a British director turn his mid-list book into a movie that wins the best-picture Academy award and seven other Oscars.

The recent career trajectory of Vikas Swarup is nearly as preposterous as the plot of his novel, “Q & A,” the tale of an uneducated waiter from a Mumbai slum who wins a billion rupees on an Indian quiz show. Mr. Swarup, 47, recently found himself onstage at the Academy Awards, celebrating in the joyous scrum of young Indian actors from “Slumdog Millionaire.”

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A fine pickle

Salman Rushdie in The Guardian on movies and movies based on books:

slumdogAdaptation, the process by which one thing develops into another thing, by which one shape or form changes into a different form, is a commonplace artistic activity. Books are turned into plays and films all the time, plays are turned into movies and also sometimes into musicals, movies are turned into Broadway shows and even, by the ugly method known as “novelisation”, into books as well. We live in a world of such transformations and metamorphoses. Good movies – Lolita, The Pink Panther – are remade as bad movies; bad movies – The Incredible Hulk, Deep Throat – are remade as even worse movies; British TV comedy series are turned into American TV comedy series, so that The Office becomes a different The Office, and Ricky Gervais turns into Steve Carell, just as, long ago, the British working-class racist Alf Garnett in Till Death Us Do Part turned into the American blue-collar bigot Archie Bunker in All In the Family. British reality programmes are adapted to suit American audiences as well; Pop Idol becomes American Idol when it crosses the Atlantic, Strictly Come Dancing becomes Dancing With the Stars – a programme which, it may interest you to know, invited me to appear on it last season, an invitation I declined.

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Slumdog glory. But where is the author?

Posted by Namita Bhandare from the Jaipur Literature Festival.

Spot the author

Spot the author

On the day that Danny Boyle, A.R. Rahman, Anil Kapoor and the cast of Slumdog Millionaire lit up the red carpet in the film’s Mumbai premiere on Thursday, January 22, one man without whom the film wouldn’t have existed was airdashing from Jaipur to make it just in time to get news of the film’s stupendous 10 Oscar nominations. It was Vikas Swarup who wrote Q&A, the book on which the film is based.

Swarup was clearly the star of the Jaipur Literature Festival’s first day’s events as a line of school children and other fans queued up to get a copy of their book signed by the diplomat-author. On the day the Oscar nominations were announced, Swarup slipped away to make it to the Mumbai premiere, although festival organisers said he was expected to return to Jaipur. Back in Jaipur it was another star associated with the film, lyricist Gulzar who basked in the glory of the announcement as champagne was popped and the audience broke into huge applause.

Swarup is chuffed about the film based on his novel reaping such huge dividends in the awards circuit (it won four Golden Globes, picked up 11 BAFTA nominations and has now received 10 Oscar nominations, including one for Simon Beaufoy for best screenplay adaptation). But he told author William Dalrymple, festival director with whom he had an hour long public interaction, that he had not been invited to the London premiere and finally had to buy his own ticket from Pretoria in South Africa where he is posted to London. “People kept asking me what I thought about the film and I hadn’t even seen it. So, I finally decided to buy my own ticket.”

Swarup seemed reconciled to the many changes and departures from his book in the film, although he said that the first draft of the screenplay had certain inaccuracies which he then had to fix. “However, the author becomes obselete once the film-makers come into play,” he said.

In Swarup’s book, the protagonist is named Ram Mohammed Thomas, a name changed to Jamaal Malik in the film. Salim in the book is not Jamaal’s brother but rather a street-smart friend. Even the title Q&A — which has a certain iconic ring to it, as pointed out by Dalrymple – was changed. Swarup defended the change saying that Slumdog Millionaire had a certain evocative quality. Moreover, he conceded that Beaufoy has been ‘faithful to the central premise in the book’.

But there were others in Jaipur who felt that Swarup ought to have been given more importance at the premiere and award ceremonies of Slumdog. “It’s a bit sloppy on the film-makers’ part to have left him out. I can only hope that it is an oversight,” said an admirer who didn’t wish to be named.

Swarup also brushed off criticism — most notably from Amitabh Bachchan — that Slumdog is too negative in its portrayal of a seamy underbelly of Mumbai. “India is so large and multifarious that a single book cannot represent the whole reality. It is at best only a slice of Indian life; not the only version of it,” he told Dalrymple.

Slumdog was to have premiered in Jaipur as part of the literature festival on Wednesday January 21, a day before the Mumbai premiere. The festival’s official programme lists the premiere in the presence of Vikas Swarup and Anil Kapoor, the film’s most recognisable Indian star. But the organisers announced that the premiere had been postponed to January 23 — and gave no reason for the decision.

Ironically, the copies of Q&A available at the festival venue (and the copies that Swarup signed in Jaipur) had a still from Slumdog the movie prominently displayed on the front jacket and was being sold as Slumdog Millionaire, the book previously known as Q&A! So, Slumdog could end up pushing the sales of his book. Don’t be surprised if he ends up having the last laugh. 

See reviews of Slumdog Millionaire in the Indian press here, here and here.

Two Hollywood movies — made in India, with Indian actors

Slumdog Millionaire: 2008’s Juno?

Danny Boyle’s new film ‘Slumdog Millionaire‘ will close this year’s London Film Festival. Adapted by ‘Full Monty‘ writer Simon Beaufoy from the novel ‘Q&A‘ by Vikas Swarup, ‘Slumdog Millionaire‘ tells the story of an an 18-year-old orphan from the slums of Mumbai who finds himself just one question away from winning 20 million rupees ($500,000) on India’s “Who Wants to Be a Millionaire?

Danny Boyle’s (Shallow Grave, Trainspotting, 28 Days Later and Sunshine) movie features an all-Indian cast including Skins star Dev Patel and Anil Kapoor. Boyle filmed ‘Slumdog millionaire’ on location on the streets of Mumbai. Music is by AR Rehman. In a story headlined “Will Slumdog Millionaire be 2008’s Juno,” the New York Observer says it is already being positioned as 2008’s “little movie that could.”

Here’s an excerpt from the Variety review:

Driven by fantastic energy and a torrent of vivid images of India old and new, “Slumdog Millionaire” is a blast. Danny Boyle’s film uses the dilemma of a poor teenager suspected of cheating on the local version of “Who Wants to Be a Millionaire” to tell a story of social mobility that is positively Dickensian in its attention to detail and the extremes of poverty and wealth within a culture…

Surging with colors, music, the ever-present swarming multitudes and the vitality of its youthful characters, the pic begins disturbingly with the sight of police torturing a young man to make him confess how he’s been able to make a run up to the ultimate prize of 20 million rupees on the nation’s most popular quizshow. “I knew the answers,” the sullen fellow insists, and Simon Beaufoy’s intricate and cleverly structured script illustrates how that came to be.

The Pool: Another world, just over the hedge

Director Chris Smith’s (American Job, The Yes Men, American Movie) movie “The Pool” takes a look at the lives of the haves and the someday might haves in Goa. A poor boy (Venkatesh Chavan) becomes obsessed with the swimming pool of a rich man (Nana Patekar) in the opulent hills of Panjim, Goa. His life gets turned upside down when he attempts to meet the mysterious family that arrives at the house. Smith transfers an Iowa-based short story by Randy Russell to India’s western Goa region -- and works in Hindi. From the New York Times:

In “The Pool,” a recurrent image that develops into a symbol of the gap between affluence and poverty shows the waiflike Indian protagonist, Venkatesh (Venkatesh Chavan), perched in a tree, gazing longingly at a private swimming pool on the other side of a hedge. A skinny, 18-year-old man-child who longs to dive into the water, Venkatesh ekes out a living cleaning hotel rooms and selling plastic bags on the street with his 11-year-old sidekick, Jhangir (Jhangir Badshah). The shimmering pool, in which no one seems to swim, is a window onto a world he can hardly imagine.

This calm, neorealist film, directed and photographed by the documentarian Chris Smith (“American Movie,” “The Yes Men,” “American Job”), blurs the line between fiction and reality. As the characters, who have the same first names as the actors playing them, amble around Panaji, the capital of Goa, you come to see them more as people living their lives than as a writer’s inventions.

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