Tag Archive for 'Danny Boyle'

Indi sweep at the Oscars

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Slumdog Millionaire, Danny Boyle’s adaptation of Vikas Swarup’s novel, Q&A, set in Mumbai, sweeps the Oscars with eight awards including best picture and best director. Music maestro A.R. Rahman scores a double win (best original score and best original song for Jai Ho along with Gulzar). And Resul Pookutty takes home a statue for best sound. “In 80 years of Academy history no Indian technician has been nominated for an Oscar. I’m the first to be nominated, and the first to win,” he is quoted saying backstage by BBC.

A list of the Super Eight bagged by Slumdog:

1. Best Movie

2. Best Director (Danny Boyle)

3. Best Original Song (A.R. Rahman for Jai Ho)

4. Best Original Score (A.R. Rahman)

5. Best Film Editing (Chris Dickens)

6. Best Sound Mixing (Ian Tapp, Resul Pookutty)

7. Best Cinematography (Anthony Dod Mantle)

8. Best Adapted Screenplay (Simon Beaufoy)

And not to forget, India-inspired Smile Pinki bags best documentary!

To understand what makes Rahman a global tunesmith, click here.

To read stories on Slumdog and Smile Pinki previously published on AW, please hit search.

‘Slumdog’ fusionist in Oscar spotlight

A.R. Rahman, the prolific Indian film composer behind the “Slumdog Millionaire” score, has been nominated for three Academy Awards. From The New York Times:

rahmanA. R. Rahman knows how big a deal it would be if he wins an Oscar on Sunday.

One of the most prolific and successful film composers in India, he has three nominations, all for “Slumdog Millionaire”: best original score and best original song, for both “Jai Ho” and “O … Saya,” a collaboration with the Sri Lankan-British rapper M.I.A. (The film, by Danny Boyle, has 10 nominations, and last month Mr. Rahman won a Golden Globe for best score.)

“It would be a great honor,” Mr. Rahman said with characteristic diffidence in a phone interview this week from Los Angeles, where he was preparing to perform at the ceremony. “It would help me to do bigger things.”

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The Slumdog paradox

Slumdog taps into Western curiosity about a country whose weight is increasingly felt in ordinary lives, writes Sadanand Dhume in Yale Global Online

The unexpected international success of “Slumdog Millionaire” has pleased some Indians while provoking unusually strong protests from others. The critical and commercial success of the film, contrasted with sharp criticism and a lackluster run in Indian theaters, captures the inherent contradictions of an increasingly globalized country. India basks in the glow of international recognition, but resents the critical scrutiny that global exposure brings.

Not since Sir Richard Attenborough’s “Gandhi” has a film about India captured the world’s imagination as strongly as “Slumdog Millionaire,” director Danny Boyle’s gritty yet uplifting drama about a boy from the slums of Mumbai who makes good as a game-show contestant on the Indian version of “Who Wants to Be a Millionaire.” The low-budget production – which cost $15 million to make, a pittance in Hollywood terms – has garnered both commercial and critical success, grossing $96 million worldwide as of February 1st, and picking up four Golden Globe awards and 10 Oscar nominations. In one among a raft of glowing reviews, Wall Street Journal’s Joe Morgenstern hailed “Slumdog” as “the world’s first globalized masterpiece.”

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Some say it’s poverty porn – but not many

Here in India, films about poverty used to cause great offence. But not Slumdog Millionaire. Ian Jack in The Guardian:

The first director is Louis Malle, whose documentary series, Phantom India, examined some indisputable truths about so much of Indian life. The second is Danny Boyle, whose Slumdog Millionaire, pictured below, takes some of the same truths, dramatises and exaggerates them inside a fantastical story – which slum boy is going to jump into an oozing latrine, even for the autograph of Amitabh Bachchan? – set to Bollywood melodies. Something has happened in the years between these films, to western as well as to Indian sensibilities. The reasons are complicated, but perhaps the main ones are that Indian society is a thousand times more confident, that the word “vulgar” has vanished from the critical lexicon, and that the world has grown very small.

India has always had a difficult relationship with its easily observable poverty. Thirty years ago, the government’s PR departments would express a sullen disappointment that foreign writers were so “obsessed” by it. Its depiction abroad was seen, with just a little justice, as a plot against national ambition.

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The slumdog story

How ‘Danny uncle’ and his ‘moral compass’ created the biggest ‘Indian’ blockbuster–and why you should watch it. Sanjukta Sharma in Mint Lounge:

Freida Pinto

Freida Pinto

Every morning, Jamal spends a few special minutes with himself in the loo. Squatting, chin resting in his palms, he dreams. Sometimes, the seven- or eight-year-old slum boy looks at the dog-eared photograph of Amitabh Bachchan that’s neatly folded and tucked in his pant pocket. The loo is makeshift-precariously perched on a wooden platform, which stands on swampland. His neighbourhood is the Juhu slum-the one we see every time our flight is about to touch down in Mumbai. The slum begins where one side of the runway ends.

At other times, Jamal plays gilli-danda or invites the ire of cops, making them chase him through grimy, narrow lanes to his matchbox tenement home.

And later, after his mother dies in a communal riot, Jamal’s life is endlessly and dangerously charged with adrenalin. He begs at traffic jams, palms pressed flat against car windows. He steals food through the windows of running trains.

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Slumdog’s day: 10 Oscar nominations

As the cast of Danny Boyle’s Slumdog Millionaire was partying at the premiere of the movie in Mumbai came the news from Los Angeles: the movie has got 10 Oscar nominations, including 3 for music composer AR Rahman.

The film has been nominated in the following categories:

Cinematography – Anthony Dod Mantle
Direction – Danny Boyle
Film Editing – Chris Dickens
Music (Original Score) – AR Rahman
Music (Original Song) (Two Nominations) – AR Rahman
Best Motion Picture – Christian Colson
Sound Editing – Tom Sayers
Sound Mixing – Ian Tapp, Richard Pryke, Resul Pookutty (Mumbaiite Resul Pookutty was nominated for his first ever Oscar for the sound design)
Adapted Screenplay – Simon Beaufoy

From The Times of India: Rahman, who’s in London with his family, sounded overwhelmed. “I was like a nervous schoolboy biting my nails,” he told TOI. “I feel the whole world is watching me. I’m at the top of the world. Honestly, I am not even thinking about the Oscars now. Everything is a blur…It’ll be a great energy booster for creative people in India.” More:

Click here for the complete Oscar nomination list.  The winners will be announced on Feb. 22.

“Slumdog” composer welcomes spotlight on Indian music

From Reuters:

Billboard: Many people in the States who do know about Indian music think that it is mainly Bollywood-style, up-tempo compositions, when in fact, India has a rich musical diversity. Is it your intention to try to introduce Americans to different genres of Indian music?

Rahman: The win is such a blessing in disguise. Bollywood music is definitely a big part of Indian music, and can be a great way to introduce people to the sound. But I hope to continue to incorporate other types of Indian music into my work. More:

Previously on AW:

Slumdog glory. But where is the author?

Posted by Namita Bhandare from the Jaipur Literature Festival.

Spot the author

Spot the author

On the day that Danny Boyle, A.R. Rahman, Anil Kapoor and the cast of Slumdog Millionaire lit up the red carpet in the film’s Mumbai premiere on Thursday, January 22, one man without whom the film wouldn’t have existed was airdashing from Jaipur to make it just in time to get news of the film’s stupendous 10 Oscar nominations. It was Vikas Swarup who wrote Q&A, the book on which the film is based.

Swarup was clearly the star of the Jaipur Literature Festival’s first day’s events as a line of school children and other fans queued up to get a copy of their book signed by the diplomat-author. On the day the Oscar nominations were announced, Swarup slipped away to make it to the Mumbai premiere, although festival organisers said he was expected to return to Jaipur. Back in Jaipur it was another star associated with the film, lyricist Gulzar who basked in the glory of the announcement as champagne was popped and the audience broke into huge applause.

Swarup is chuffed about the film based on his novel reaping such huge dividends in the awards circuit (it won four Golden Globes, picked up 11 BAFTA nominations and has now received 10 Oscar nominations, including one for Simon Beaufoy for best screenplay adaptation). But he told author William Dalrymple, festival director with whom he had an hour long public interaction, that he had not been invited to the London premiere and finally had to buy his own ticket from Pretoria in South Africa where he is posted to London. “People kept asking me what I thought about the film and I hadn’t even seen it. So, I finally decided to buy my own ticket.”

Swarup seemed reconciled to the many changes and departures from his book in the film, although he said that the first draft of the screenplay had certain inaccuracies which he then had to fix. “However, the author becomes obselete once the film-makers come into play,” he said.

In Swarup’s book, the protagonist is named Ram Mohammed Thomas, a name changed to Jamaal Malik in the film. Salim in the book is not Jamaal’s brother but rather a street-smart friend. Even the title Q&A — which has a certain iconic ring to it, as pointed out by Dalrymple – was changed. Swarup defended the change saying that Slumdog Millionaire had a certain evocative quality. Moreover, he conceded that Beaufoy has been ‘faithful to the central premise in the book’.

But there were others in Jaipur who felt that Swarup ought to have been given more importance at the premiere and award ceremonies of Slumdog. “It’s a bit sloppy on the film-makers’ part to have left him out. I can only hope that it is an oversight,” said an admirer who didn’t wish to be named.

Swarup also brushed off criticism — most notably from Amitabh Bachchan — that Slumdog is too negative in its portrayal of a seamy underbelly of Mumbai. “India is so large and multifarious that a single book cannot represent the whole reality. It is at best only a slice of Indian life; not the only version of it,” he told Dalrymple.

Slumdog was to have premiered in Jaipur as part of the literature festival on Wednesday January 21, a day before the Mumbai premiere. The festival’s official programme lists the premiere in the presence of Vikas Swarup and Anil Kapoor, the film’s most recognisable Indian star. But the organisers announced that the premiere had been postponed to January 23 — and gave no reason for the decision.

Ironically, the copies of Q&A available at the festival venue (and the copies that Swarup signed in Jaipur) had a still from Slumdog the movie prominently displayed on the front jacket and was being sold as Slumdog Millionaire, the book previously known as Q&A! So, Slumdog could end up pushing the sales of his book. Don’t be surprised if he ends up having the last laugh. 

See reviews of Slumdog Millionaire in the Indian press here, here and here.

Horatio Alger relocates to a Mumbai slum

Why “Slumdog Millionaire” is a hit: It gives a dying American myth a future somewhere else. Anand Giridharadas in The New York Times:

slumdog_poster

It isn’t about cows or cobras, a wedding or outsourcing; it isn’t about gurus or Gandhi. “Slumdog Millionaire,” in fact, may be the first world-traveling film about India in a generation to discard the old, smudged lenses for seeing this country.

Its novelty has given it a dream run in American movie theaters, and last week it was chosen best dramatic picture at the 66th Annual Golden Globe Awards in Los Angeles. It now is given a good shot at the Academy Awards next month.

But the film’s freshness lies not just in how the West sees India. It lies, too, in how Indians see themselves. It portrays a changing India, with great realism, as something India long resisted being: a land of self-makers, where a scruffy son of the slums can, solely of his own effort, hoist himself up, flout his origins, break with fate.

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The real slum shady

Posted by Namita Bhandare:

My column in this morning’s Hindustan Times is in response to Amitabh Bachchan’s blog comments on Slumdog Millionaire

HOW ON earth did they allow Danny Boyle’s Slumdog Millionaire to be shot in Mumbai? By ‘they’, of course, I mean the commissars of culture, the faithful watchdogs of our beloved Bharat Mata on constant vigil against evil imperialists making movies about our wretched poverty, our pathetic widows and our sad child marriages. Yet, here was Boyle apparently free to film Mum- bai’s undeniable seamier side. Had he had several warm beers with Bal Thackeray in an attempt to buy peace? Had he become best friends with the nephew? How was he allowed to let it all hang out: beggar gangs that maim children, piles of rotting garbage, cops who assume torture as part of routine interrogation, small time bhais and fat cat TV anchors? Where were the howls of protest?

Continue reading ‘The real slum shady’

Bachchan, Slumdog & more: a rough guide to the Jaipur Lit Fest

Posted by Namita Bhandare:

I know the organisers of the Jaipur Literature Festival (Diggi Palace hotel, Jaipur, January 21-25, entry free to all) love to say that the festival is democratic and that they don’t want to pitch one session over and above the others but here’s what I think will be the star events at the Lit Fest:

1. The Indian premiere of Danny Boyle’s Slumdog Millionaire. That the film has reaped awards at the Golden Globe and is tipped to be an Oscar favourite has only added to the curiosity factor. And now that Amitabh Bachchan has blasted the film for daring to show the ‘murky under belly’ of Mumbai (has he taken over from where Raj Thackeray left off?), the pre-publicity hype has just got a notch hotter. As they say in showbiz, any publicity is good publicity. Anyway, to come back to the film: present at the premiere will be, no not Danny Boyle (he’ll be in Mumbai) but Vikas Swarup who wrote Q&A, the book on which the script is based, and also, apparently, Anil Kapoor. I’m a bit alarmed by the filmi flourishes which the festival’s PR guides seem to favour (they roped Aamir Khan in last year), but I guess they’re doing it because they believe it sells the festival. If you ask me, the festival (now in its fourth year) doesn’t need much selling. Continue reading ‘Bachchan, Slumdog & more: a rough guide to the Jaipur Lit Fest’

AR Rahman wins Golden Globe

Music composer A R Rahman has become the first Indian to win the prestigious Golden Globe Award. He won the award for the Best Original Music Score for the movie Slumdog Millionaire.

Danny Boyle’s “Slumdog Millionaire,” the rags-to-riches story of a poor kid from the slums of Mumbai who becomes a flawless contestant on India’s “Who Wants to Be a Millionaire,” also won the Best Screenplay, Best Director and Best Motion Picture awards.

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From AP:  “We really weren’t expecting to be here in America at all at one point so it’s just amazing to be standing here,” said screenwriter Simon Beaufoy while accepting his Golden Globe Sunday. More:

In The Times of India: The engagingly shy mestro – whose hit numbers for the movie, ‘Jai Ho!’ and ‘Ringa Ringa’ are scorching global charts — has his fingers firmly crossed in the hope that the Oscars in February will be a repeat show. It’s not an unreasonable hope — many Globe winners also pick up Oscars. The movie has won 64 awards so far, a few more from the Academy that matters would certainly be sweet music to Indian ears. More:

Also in The Times of India: There’s a young girl in Chennai who can’t stop jumping with joy. She’s not just a Rahman fan, she’s also sung two songs for his score in the movie. Tanvi has sung Jai Ho and Gangsta Blues for the film. More:

In The Independent, a review of Slumdog Millionaire: There’s also a genuinely disturbing charge of realism in the depiction of the appalling slum conditions that the children grow up in, and the constant menace of severe violence. Effectively Oliver Twist redux, Indian-style, the film is certainly Dickensian in its constant shifts of register, in the way it asks us to take the rough with the smooth, the harshly realist with the sweetly fanciful. More:

The slumdog stylist

Styling Slumdog Millionaire, Danny Boyle’s Oscar buzz generating film, was easier said than done. Dale Hrabi spoke to Suttirat Anne Larlarb who landed the job [via The Daily Beast]

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Chaos assaults you in Mumbai, says hot costume designer Suttirat Anne Larlarb, who spent six months in its Dickensian swarm on Slumdog Millionaire, the brutal new feel-good movie that’s generating huge Oscar buzz. Director Danny Boyle’s go-to wardrober, she’d only been on the job an hour before a Mumbai driver casually slammed his car into her shoulder. “I fell flat on my back in a puddle,” says Larlarb, who found the incident more funny than ominous. “For me, it was a cosmic message that things were going to come at me from every direction, and I was just going to have to get up and get on with it.”

Not that this chilled-out flexibility came easily to Larlarb, a rising design star who’s increasingly renowned in film circles for her tireless, sometimes sleepless, perfectionism. She worked as the art director for lauded indies such as The Savages and The Namesake, and since her costume work on Slumdog, she’s been mulling a steady stream of offers for both major Hollywood and indie movies. She’s currently styling the upcoming Cillian Murphy and Ellen Page film, Peacock, a period thriller whose visual team is crammed with Oscar nominees.

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Previously on AW:

Two Hollywood movies — made in India, with Indian actors

Slumdog Millionaire: 2008’s Juno?

Danny Boyle’s new film ‘Slumdog Millionaire‘ will close this year’s London Film Festival. Adapted by ‘Full Monty‘ writer Simon Beaufoy from the novel ‘Q&A‘ by Vikas Swarup, ‘Slumdog Millionaire‘ tells the story of an an 18-year-old orphan from the slums of Mumbai who finds himself just one question away from winning 20 million rupees ($500,000) on India’s “Who Wants to Be a Millionaire?

Danny Boyle’s (Shallow Grave, Trainspotting, 28 Days Later and Sunshine) movie features an all-Indian cast including Skins star Dev Patel and Anil Kapoor. Boyle filmed ‘Slumdog millionaire’ on location on the streets of Mumbai. Music is by AR Rehman. In a story headlined “Will Slumdog Millionaire be 2008’s Juno,” the New York Observer says it is already being positioned as 2008’s “little movie that could.”

Here’s an excerpt from the Variety review:

Driven by fantastic energy and a torrent of vivid images of India old and new, “Slumdog Millionaire” is a blast. Danny Boyle’s film uses the dilemma of a poor teenager suspected of cheating on the local version of “Who Wants to Be a Millionaire” to tell a story of social mobility that is positively Dickensian in its attention to detail and the extremes of poverty and wealth within a culture…

Surging with colors, music, the ever-present swarming multitudes and the vitality of its youthful characters, the pic begins disturbingly with the sight of police torturing a young man to make him confess how he’s been able to make a run up to the ultimate prize of 20 million rupees on the nation’s most popular quizshow. “I knew the answers,” the sullen fellow insists, and Simon Beaufoy’s intricate and cleverly structured script illustrates how that came to be.

The Pool: Another world, just over the hedge

Director Chris Smith’s (American Job, The Yes Men, American Movie) movie “The Pool” takes a look at the lives of the haves and the someday might haves in Goa. A poor boy (Venkatesh Chavan) becomes obsessed with the swimming pool of a rich man (Nana Patekar) in the opulent hills of Panjim, Goa. His life gets turned upside down when he attempts to meet the mysterious family that arrives at the house. Smith transfers an Iowa-based short story by Randy Russell to India’s western Goa region -- and works in Hindi. From the New York Times:

In “The Pool,” a recurrent image that develops into a symbol of the gap between affluence and poverty shows the waiflike Indian protagonist, Venkatesh (Venkatesh Chavan), perched in a tree, gazing longingly at a private swimming pool on the other side of a hedge. A skinny, 18-year-old man-child who longs to dive into the water, Venkatesh ekes out a living cleaning hotel rooms and selling plastic bags on the street with his 11-year-old sidekick, Jhangir (Jhangir Badshah). The shimmering pool, in which no one seems to swim, is a window onto a world he can hardly imagine.

This calm, neorealist film, directed and photographed by the documentarian Chris Smith (“American Movie,” “The Yes Men,” “American Job”), blurs the line between fiction and reality. As the characters, who have the same first names as the actors playing them, amble around Panaji, the capital of Goa, you come to see them more as people living their lives than as a writer’s inventions.

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