M K Raghavendra, a film scholar and critic, argues that “celebration of social decay started with the film Satya, and Kaminey takes this to a new high.” From the Economic and Political Weekly:
Urban criminals, until the mid-1990s, were not glamorous figures in Hindi popular cinema, and only people led astray (as in Deewar 1975) became criminals. The film that changed this was perhaps Ram Gopal Varma’s Satya (1999). Satya appeared “realistic” but had a discourse interpretable in the context of the economic liberalisation initiated by P V Narasimha Rao and Manmohan Singh in 1991-92, which also marked the end of Nehruvian socialism. Law enforcement has been treated in different ways by Hindi cinema but Satya was the first film to treat the police as though they were no different from a private agency, made stronger by their indifference to the law. The protagonist of the film casually proposes the killing of the police commissioner as though he were a gangland rival and the police responds as another gang might have – by liquidating his group without attention to legality. More:










