Samanth Subramanian in The Guardian:
In 2001, in a violent attempt to advance the cause of Islamic fundamentalism, a clutch of men empowered by the Taliban brought down a titanic pair of structures that loomed over their skyline. No lives were lost. The few people living near the Buddhas of Bamiyan, in central Afghanistan, were cleared out first, before anti-artillery weapons were trained on the sculptures, carved out of the russet cliffs of the Bamiyan valley. “These statues have been and remain shrines of unbelievers,” a February 2011 edict from Mullah Omar had proclaimed. Their destruction was carried out with a rare and perverse vim. Failing at first to pulverise the Buddhas, the Taliban called in Pakistani and Arab engineers to finish the job. In The Places in Between, Rory Stewart observed that the Taliban had scorched a fresco on the ceiling of one of the caves that honeycomb the cliffs and then stamped boot-prints over the patina of soot. “This must have taken some effort, as the ceiling was 20 feet high.”
The Buddhas had stood for a millennium and a half; the smaller figure, 38m tall, was built around AD550, and the larger – at 55m only a little shorter than London’s Monument – around AD615. In The Buddhas of Bamiyan, Llewelyn Morgan, a lecturer in classics at Oxford University, explores not so much the heartbreaking demise of the statues as their remarkably long lives. How and why did the Buddhas survive more than a dozen centuries of an Islamic Afghanistan, only to meet their end at a particular political moment in 2001? The final downfall of these sculptures – their arms already snapped off, their surfaces pitted by erosion and minor vandalism – represented the nadir of a long and complex process of civilisation. More:















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