Archive for the 'Entertainment' Category

Salman Ahmad, lead singer of Pakistani band Junoon, on Sufism, jihad and peace

Sally Quinn in The Washington Post:

There is something unusually compelling about his combination of total coolness, gentle innocence and self-deprecating humor. At 46, he still has a child’s heart. At last year’s Brookings Institution conference on Muslim-American relations, in Doha, Qatar, he sort of owned the place: With every appearance, he was immediately surrounded by admiring wonks, wanting to bask in his aura of peaceful energy. There is even a healing quality about him. Perhaps it’s because he has just been dowsed.

Samina, Ahmad’s wife, whom he met and fell in love with at age 17, is a holistic health counselor. Both are, in fact, physicians--though he had always wanted to be a musician, his parents persuaded him to become a doctor. She’s also accomplished in the kitchen and for six years had her own cooking show on television. She was, he says, the Martha Stewart of Pakistan. Samina recently learned to dowse, which is done with a pendulum-like mechanism. “It’s like prayer,” he says. “It uses positive energy from the universe. It’s not distant from the Muslim tradition.”

“I know,” he says with a laugh, “that it sounds like hocus-pocus, and I was skeptical at first. It’s like a spiritual ouija board. It raises people’s energies.” He says it’s certainly hard to describe, and that it’s not like the divining rods that westerners used to find water. His wife started dowsing him in June, and when she does, he recites a Muslim prayer: I seek refuge in the Lord of Daybreak. He focuses on a specific issue that may be bothering him, making him melancholy or anxious. “It’s a cathartic process,” he explains. “Through prayer and talking, you lift yourself out of it.” More:

Lunch with Shah Rukh Khan

From The Financial Times:

I wait to meet Khan in the coffee shop at the Courthouse Hotel, off Regent Street in central London. A former magistrates’ court, its grey façade and quiet lobby feel too restrained for a Bollywood superstar.

I had been warned earlier in the day that the star was feeling unwell and that lunch would be delayed. Eventually, after a three-hour wait, I am ushered up to the star’s suite on an upper floor, where Khan, looking tired, greets me warmly.

He is wearing a slim-fitting black suit, a sky-blue shirt with open-necked white collar and shiny black shoes. He plays with his glasses as we talk.

We go into the sitting room of Khan’s suite, a wood-floored, wood-panelled room with armchairs grouped around a coffee table and windows overlooking the street below. The hotel has set up a small buffet table, and a waiter puts rice and chicken curry on a plate for Khan, who normally spurns carbs to maintain his six-pack. He has made an exception for this lunch.

I ask the waiter for chicken and rice with extra lentils and salad on the side. We eat with our plates in our laps, until Khan breaks off to light a cigarette. More:

Casualty and Holby perform ‘Jai Ho’

From BBC:

When Jewish women were the leading ladies of Indian cinema

Above, Nadira a.k.a. Florence Ezekiel in Raj Kapoor’s Shri 420.

From Tablet, an online magazine of Jewish news, ideas, and culture (via Ultrabrown):

Rose Ezra. Ruby Myers. Farhat Ezekiel Nadira. From the earliest years of Bollywood, these and other Jewish actresses garnered starring roles. And while they may have looked somewhat exotic to moviegoers, they came from Baghdadi Jewish families who had been living in India for decades. Reporter Eric Molinsky speaks to film scholars, as well as friends and relatives of these once-beloved but now mostly forgotten stars of Indian cinema, to find out how they became the “go-to girls” for leading female roles in the 1920s, ’30s, and beyond.

Click here to listen to fascinating lecture.

My life as an extra

Shubhangi Swarup in Open:

My career as an extra began when my friend, who was directing a music video on a shoestring budget, desperately sought fillers-in for her nightclub sequence. For free. With good intentions, I washed and conditioned my hair, wore a slinky dress at 9 am and showed up. Only to be insulted by the make-up dudes, who thought my hair needed re-doing and caked my face like the Joker from Batman.

If watching life pass by is a hobby of yours, then I would recommend the patient, thought-provoking job of an ‘extra’. On the music video set that day, while I tried to catch up with my favourite author Naguib Mahfouz, some models snorted a line of coke or two (for inspiration, I’m assuming). As your role increases, the pressure to be inspired does too.

When it was time for my two minutes of fame—a shot where I try to seduce the singer away from his lady love—I screwed it up royally. I had to sing the following lyrics in a seductive way: ‘O mere raja, paas to aaja, dono milke naachenge.’ (Oh my king, come closer, let’s dance together.) My laughter got worse each time I’d repeat the lyrics, and I just couldn’t get myself to look into his eyes and sing those words with a straight face. In the end I was in splits, with tears in my eyes. More:

also read Adventures of Shubhangi

‘The villain of the millenium’

Bollywood Food Club reminds us that the legendary Bollywood actor Pran turned 90 on Feb. 11. He has appeared in over 350 films; his last three, according to Wikipedia, are 1942: A Love Story (1994), Tere Mere Sapne (1996)and Mrityudata (1997). We love the scene (see YouTube video) in The Evening in Paris (1967)

The paintings are from his website pransikand.com

The politics of Amitabh Bachchan

Why does the greatest superstar in Indian cinema history hanker so much for political patronage? From Open:

In his biography of Sonia Gandhi, journalist Rashid Kidwai writes of a winter day on 13 January 1968, when Sonia Maino landed in Delhi to marry Rajiv Gandhi. It was Amitabh who received her at the airport. In a 1985 interview, Sonia said, “Mummy (Indira) had asked me to stay with the Bachchans so that I could learn Indian customs and culture from close up. Slowly I came to learn a lot from that family. Teji Aunty is my second… no, my third mother. My first is my mother in Italy, the other was my mother-in-law Mrs Indira Gandhi, the third is Teji Aunty. Amit and Bunty (Amitabh’s brother Ajitabh) are my brothers.”

In 1984, after the assassination of Indira Gandhi, Amitabh was one of the men drafted by Rajiv into politics. The two men had known each other since childhood—Amitabh was four and Rajiv two when they met at a fancy dress party at the Bachchan home in Allahabad. “Ma says he messed up his pants,” Amitabh was to recall.

But the mess that was to follow their entry to politics was more than Bachchan could stand. It took no more than a few years for controversies such as Bofors to surface, where Amitabh’s name figured along with Rajiv’s. It was only then that this son of a Sikh mother, who had given little thought to fighting the 1984 election for the Congress in the wake of the massacres of Sikhs, chose to quit. More:

After Avatar, Anil Ambani in 3-D business

Here's looking at you in 3-D

The Times, London, reports from Mumbai:

Bollywood’s wealthiest mogul is poised to enter the booming business of transforming 2-D films into 3-D — with classics such as Casablanca expected to be given the full stereoscopic treatment.

Anil Ambani, who dominates the Indian film market but is also a leading Hollywood financier, will soon unveil a giant outsourcing centre in Mumbai that will be dedicated to the process of “dimensionalisation”.

The £25 million facility is the result of a partnership between his post-production business, Reliance MediaWorks, and In-Three, a Los Angeles-based specialist in 2-D to 3-D conversion.

Inside the new unit, 1,000 Indian technicians will be guided by a handful of American experts. In-Three has already given industry insiders a taste of what may be in store, holding private screenings of 3-D snippets of classics such as 2001: A Space Odyssey, Star Wars, 12 Angry Men and Casablanca. More:

Sivamani: Rhythm is everything, everywhere

Percussionist Sivamani delivers one of TED’s liveliest and most inventive performances yet. He uses traditional Western and Eastern instruments to create a rhythmic tour de force, along with a tub of water, corrugated metal, spoons, luggage, our stage props and even a little audience participation.

Why Irrfan Khan may well be Asia’s finest actor

Jyoti Thattam in Time:

On a dirt track under the midday sun, Irrfan Khan waits at the starting line. The 42-year-old actor is playing a poor army recruit from a village in central India who runs just to get the extra ration of food allotted to athletes. At his first race, his character doesn’t know what to do when the pistol sounds, so he prays. “You idiot! Run!” the starter screams. That spurs the soldier into action, and the naive confusion on his face turns into determination. Extras from the Bengal Sappers — actual young army recruits who live on the base in Roorkee in northern Uttarakhand state, where the movie is being filmed — crowd around the sidelines as he lowers his head and takes off.

This kind of character — the village boy who succeeds against all odds — is a staple of Bollywood, India’s film industry, the largest in the world. But Khan turns it into something more. In his hands, the true story of Paan Singh Tomar, a track-and-field champion turned mountain bandit, becomes a parable about the frustrated poor. Khan says the film, written and directed by Tigmanshu Dhulia, an old friend from drama school, appealed to him because it follows the hero once he has been forgotten. “It talks about our system,” he says. “It’s a sign for any nation, any society — how much they are prepared to care for a talent.” More:

[Image: www.irrfan.com]

I wanna be like Osama

From Jihad! The Musical, a satirical romp about the war on terror

Another Rahman song in race for Oscars

Oscar-winner A.R. Rahman’s song “NaNa” (click above to listen) from the Hollywood film “Couples Retreat” has been shortlisted for nomination in original song category for the 82nd Academy Awards. It will be competing with 62 other songs.

Rahman’s son Ameen also makes his singing debut in this track.

Couples Retreat is a comedy film directed by Peter Billingsley and written by Jon Favreau, Vince Vaughn and Dana Fox.

A knight in comic armour

Film director Raju Hirani’s incredible life story. Shoma Chaudhury in Tehelka:

Hirani’s latest film, 3 Idiots, has been having what stock markets would call a historic bull run. In just 18 days, it has mopped up Rs 350 crore — double the entire business of the last record-holding film Ghajini (which in turn had done 50 percent more business than all the films that ranked below it). Numbers aside, the film seems to have uncorked a dormant emotion in society, and its upbeat slogan “All is well” has become the unchallenged anthem of the season. The film had 21 nominations at the Screen Awards and won 10, including best film and best director. Hirani is undoubtedly the big man of the moment.

Yet the affable, mild-mannered man sitting unassumingly at a coffee shop in Delhi under the TEHELKA office seems peculiarly untouched by the applause around him. He’s been quite happy to trek across the city for his interviewer’s convenience rather than insist on the star’s prerogative that we go to him. Sundry people are swarming around him, jostling for autographs. For a film man, it should have been a cinematic moment. More than 20 years earlier, Hirani had opened his autograph book in the anon – ymity of his room in the Film and Television Institute in Pune (FTII) and signed with quiver of excitement: Raju Hirani: editor, director, producer, 1988. The world lay headily at his feet, he was sure he was going to conquer it. What a self-fulfilling proph – ecy it had turned out to be.

But for Hirani, of the many major “plot points” in his life, the public success of 3 Idiots features nowhere. His idea of success lies in other, much more poignant, autobiographical moments. The moment he first told his father that instead of studying to be an accountant, he wanted a career in cinema. The exact moment he received a tele g – ram from FTII telling him he’d been selected for the editor’s course (NSD and FTII had both rejec ted him first time round when he applied for their acting course). The first 5-min – ute student film he made on a Chekov story, The Bet. Powerful moments of escape, selfrecognition, arrival — many of which imbue his film with the searing conviction and tension of lived experience. More:

3 Idiots and the real IITs

3 Idiots’ portrayal of the IIT education system is both grossly unfair and untrue. Sandipan Deb in Open:

I cannot help but have my views on 3 Idiots coloured by the fact that I am an IITian. Call it Imperial College of Engineering, call it whatever, but what is obvious is that the film is a comment on the IIT system. And it is a grossly unfair comment.

I went to do engineering because at that time, if you were a middle-class boy and you were good in studies, it was either engineering or medicine that was fore-ordained. There was no other option you even entertained. A native dislike for Biology pushed me towards IIT, and there I went, quite happily. Within days, I discovered that engineering did not interest me in the least, and I spent the next years putting in just enough effort to survive. Professors either reviled me or despaired of me. But I have never had so much fun as I had on that campus.

Yes, our boys and girls are still rammed into the IITs by their parents, whether or not they have any interest or innate talent. Coaching classes turn aspirants into rote-monsters, and often, they end up without any life skills. In the IITs, you encounter characters like Chatur Ramalingam, the desperately competitive mugpot in 3 Idiots, but the truth is that such people rarely ever top their classes. More:

Zoobi Doobi

From the Bollywood movie 3 Idiots:

I am a filmmaker, not a businessman: Aamir Khan

From Economic Times:

On the success of his movie Three Idiots

You can never imagine that. Actually I was just hoping it would cross Ghajini, because Ghajini itself is so huge and to try and come close to it itself is a huge task. I was happy with the way the film had turned out. But I never imagined that it would be so big. The movie is still running and its gross revenues can go anywhere between one-and-a-half to two times more than Ghajini’s revenues.

On marketing the movie:

Film making is all about communication. You are telling a story to someone. So once you are ready with the story, you will have to tell people that you are making this story and would they like to hear this. That’s what marketing is at the end of the day So if I don’t tell anyone that I am about to tell a story how will people know? So certainly marketing is important. But the best that marketing can do is to get you a good opening on Friday, Saturday and Sunday. Big stars or the goodwill of a director can only get you a good opening. Ultimately, what’s going to take your film forward is the film itself. More:

Inside SRK’s world

Discovery Travel & Living trailed Shah Rukh Khan for over a year to put together a special ten-part series on the superstar. A glimpse into the first two episodes in Hindustan Times:

Much as I love Mumbai and Delhi and India, I think London would be my next favourite place on earth. I like the weather, the greenness, the cold. Normally I come here for work and holidays but I love coming here. There were two places in the world which my mom wanted me to see, one was Madame Tussauds in London and the other was the Louvre in Paris. So it’s the greatest moment and achievement of my life that I am in Madame Tussauds. She would have been very proud.

When I’m in London, I go to Hyde Park to play soccer with my kids and their friends. I don’t play unfair. Aryan will cheat a bit but he should not. Since he’s playing against the girls, maybe he wants to win but I think he does that in school also which is not good. I think this is his one bad habit that I need to change. You don’t cheat and win. You don’t lie and win.

You can tell the difference between boys and girls when they are playing. You can spend 20 minutes with the boys and 20 minutes with the girls. You may have fun with the boys but you realise life is best with the women and so I like to be with girls. And I want them to be really tough. At least the girls whom I know, they should be tough and should kick all these idiots around. Guys are a little dumb. I am sorry, I may lose some male fans but the girls rock! More:

The instinct of Aamir Khan

Manu Joseph in Open:

It is said that getting Aamir interested in a film has the excruciating agony of waiting to win a girl’s affections, and his acceptance comes with the greater torments of a woman’s terrifying obsessive love. “He is involved in every aspect of a film,” a director says, “Some might not like that. He does not trust anyone, it seems.”

Most of the time, though, Aamir rejects the scripts. One such writer who was rejected remembers a whole evening he spent in Aamir’s home trying to sell him the idea. “I was nobody then, but Aamir spent a lot of time with me discussing the story. He had so many questions. So many doubts. ‘Would this work, would people find this convincing… I know people and the people won’t accept it’. He didn’t know me at all, but we went to the toilet together and we peed standing side by side, talking about the script. In the end, he said ‘no’.”

Aamir says that he does not waste the moments of his life doing anything he does not love enough. “When I am choosing a script, I don’t think of the audience. I think of myself. I have to love it. Then I think of the audience. I wonder how can we tell this story without boring anyone. I have only one interest in a film. The message is not important to me. What is important is that I don’t bore you. I know what you want is entertainment. The only responsibility of a film is to provide it.” More:

Chetan Bhagat and Aamir Khan in ‘3 Idiots’ row

From the Times of India:

`3 Idiots’ may be creating box-office history. But all’s certainly not well between Chetan Bhagat, the author of the book from which the movie has been adapted, and its hero Aamir Khan, producer Vidhu Vinod Chopra and director Rajkumar Hirani.

An `idiotic’ controversy has broken out over accusations of credit poaching. The film credits the story to Abhijat Joshi and Hirani. Bhagat’s name appears at the film’s end.

Bhagat is miffed that the film does not give him due credit. Khan claims that Bhagat is trying to take away the credit from the film’s scriptwriter, Joshi. More:

From Mint:

Produced by Vidhu Vinod Chopra and directed by Hirani, 3 Idiots created box office history by fetching Rs175 crore just days after it was released in 1,750 theatres across the world on Christmas day, which makes it the biggest opening for a Hindi film this past decade.

While Bhagat believes that around 70% of the film is based on his book, the makers of the film have previously said that only 2-5% of it is based on the book and that it was like an original script after the changes. On Thursday, Bhagat said in a blog on his website www.chetanbhagat.com that the film-makers had been unfair.

He alleged in his blog that, contrary to what the makers have said, much of 3 Idiots is from his original. More:

Shilpa Ray and Her Happy Hookers

Shilpa Ray grew up in a Hindu household in New Jersey where she learned to play the harmonium. A year ago she left her band Beat The Devil to set up her own band, Shilpa Ray and Her Happy Hookers. One review said she embodies “the vocal likeness of Janis Joplin.” Another called her “a punk Ella Fitzgerald.” Click on the video above to listen to her raw voice and watch her play the harmonium.

Here’s an interview in Brooklyn Vegan (via 3quarksdaily):

shilpa_rayIt was approximately a year ago that Shilpa Ray left her band Beat The Devil to focus on her own project with her own band that she calls Shipa Ray and The Happy Hookers. That would make 2009 not only their year, but their first year.

My own excitement for the band came right around January/February when I first heard their 8-song unreleased CD-R. More:

Also read the story in the Indian Express

Unravelling Yash Chopra

Shashi Baliga on the man as he completes 50 years as scriptwriter, producer and movie director. In the Hindustan Times:

yash_chopraDirector Kabir Khan remembers with some sheepishness the enthusiasm with which he showed Yash Chopra the script for his Kabul Express, a spare, taut film set in the badlands of Afghanistan. “There I was,” he says, “discussing the script with Yashji (as everyone calls the veteran), convinced I was making a cutting-edge film because it had no songs and dances. When he casually mentioned that he had made a film too, called Ittefaq, which had no songs — some 30 years ago in 1969.”

The next time Khan went to Chopra with a script was for his last movie, New York. “Yashji instantly pinpointed the flab in the script and picked out the scenes I could cut. I did so — because he was absolutely right,” he recalls.

On the day before New York opened, however, Khan had a bad case of pre-release jitters. Till his 77-year-old producer told him gently, “Beta (son), whatever the box-office fate of New York, I want you to know I am proud to put my name to your film.”

It is a moment 38-year-old Khan says will stay with him all his life. More:

Laughing through the junta’s gag

Myanmar’s famous comedy troupe, unable to publicly stage its satirical routines, still pokes fun at the ruling generals nightly at home. From the Los Angeles Times:

moustache_brothers Mandalay, Myanmar – The generals, to put it mildly, can’t take a joke.

But the Moustache Brothers make their living mocking fools, including those who wear military uniforms. So they have drawn a battle line in this country’s long struggle for democracy with a small stage that cuts across their cramped living room, site of the three-man comedy troupe’s nightly performance.

The military regime silenced street protests last fall by arresting and, in some cases, shooting peaceful demonstrators. That has left dissidents such as comedians Lu Zaw, Lu Maw and the lead satirist of the family, Par Par Lay, to tend the embers of opposition by poking fun at the regime.

In the past, the junta that rules Myanmar — also known as Burma — has tried to shut them up too, hoping to intimidate them with prison terms, hard labor and torture. But the comedians are exploiting a loophole in a ban on their act by staying on the attack at home, in English, with biting humor that ridicules the junta as a bunch of bumbling thugs, thieves and spies. More:

The Bachchan blockbuster

NDTV Group Editor Barkha Dutt interviews Bollywood superstar Amitabh Bachchan:

Books on Bollywood

Four experts recommend the best recent books on Bollywood. From the New York Review of Ideas:

bollywoodCorey Creekmur, Associate Professor of Cinema and Comparative Literature at the University of Iowa, coauthor with Mark Sidel of Cinema, Law, and the State in Asia:

It’s now common to view the Partition of India as the most significant, and traumatic, event in modern South Asian history, and a few critics have noted its muted presence or striking absence in popular Indian cinema, but Bhaskar Sarkar’s Mourning the Nation: Indian Cinema in the Wake of Partition (Duke University Press) is the first full-scale study of the deep impact of the Partition—whether treated directly or, more often, repressed—on Indian film.

Another, quite different, exploration of the cultural politics of representation in popular Indian cinema is the project of Neepa Majumdar’s Wanted Cultured Ladies Only!: Female Stardom and Cinema in India, 1930s-50s (Indiana University Press). Arguably, the star is the most important feature of Indian cinema, and Majumdar’s book is a long-overdue account of the debates and negotiations around the controversial creation of female stars in Indian film. Her study is even more remarkable because it creates a vivid sense of an era from which many key films no longer survive. More:

Merry Christmas from Punjab

Posted by AW:

A bit early, but we couldn’t resist it.

Surrogacy on screen

From Wall Street Journal:

It sounds like a classic Bangalore story. A winsome young woman employed by a call center falls in love with a man who works at an IT company. He decides to leave India in search of higher pay in America, and she promises to wait for him.

Then comes the twist: To finance her boyfriend’s journey, the woman accepts a lucrative offer to become a surrogate mother for a childless couple — only to have her presence arouse the jealousy of the barren wife. (In a second twist, the surrogate has moved in with the couple for the duration of the pregnancy.) More:

Jay Sean a.k.a. Kamaljit Singh Jhooti

Born and raised in London, and of Indian/Punjabi heritage, Kamaljit Singh Jhooti, better known by his stage name Jay Sean, started rapping at 12. He is best known for his hits “Stolen”, “Eyes On You”, “Ride It” and “Tonight” in UK. He has released two albums, Me Against Myself (2004) and My Own Way (2008). Click here for MTV.

‘I’m a remote addict’

Amitabh Bachchan, who’s returning to television as Bigg Boss host, talks about the joys of the small screen and the Internet. Rubina A. Khan in Open:

Q You are an ardent follower of the international series, The West Wing. What do you like about it? Which character would you have liked to play in the show, if you were asked?

A I have liked the very concept of the format. Who would have imagined that the office of the President of the United States of America would be material for a TV serial! The whole excitement of being able to position yourself inside those hallowed portals is enough to keep one glued to the proceedings. Then as the events unfold, the speed with which incidents occur and are addressed, is an education in screenplay writing and performance acumen. Each situation, each performer is so perfectly crafted that it is impossible to find even a minuscule flaw. It’s absolutely brilliant! Just observe the camera movements on shots. It is incredible how they have operated them with such finesse and élan. The timings of the artists, the entries and exits, the lighting and the steady cam movements are done to perfection… And what of the artists! They are all simply brilliant. Each chosen and performing to such perfection that it is ompossible to imagine any other in their place. I would have been happy to play an ‘extra’, or ‘junior artist’ as we address them respectfully here in India, in the background, making my ‘passing shot’ on the odd cue, just so I would get an opportunity to watch and observe how magnificently each episode was recorded. More:

Bollywood bound

A new acting school in Canada teaches the art of lip-syncing, fake fighting and gyrating. S. Mitra Kalita in the Wall Street Journal:

That millions of people have Bollywood dreams in India comes as little surprise. But Canada?

This month, the Canadian Institute of Management and Technology in Mississauga, outside Toronto, launched the Bollywood Acting Diploma, a four-month course costing $9,000 and targeting students who want to break into the business.

They are people like Dubai-born Maya Noel, 18 years old, who graduated high school in June and was all ready to study drama in college. When she heard about the academy, she reassessed her goals and thought, “I grew up with Bollywood not Hollywood.”

And she signed up.

Her interest is a fitting tribute to the Indian institution that went “global” before that became a buzzword. Indeed, before Benetton and Big Bazaar, there was Bollywood, stealthily offering Indian audiences tastes of the West and nostalgic expatriates glimpses of the homes they left behind. Today, Bollywood has become the ultimate bridge for nonresident Indians, global Indians and everyone in between. While the rest of the world debates protectionism and outsourcing, Bollwood makes room for a new formula: take actors raised and trained in the West and welcome them back home. More:

Bonding Pakistan with Bollywood again

Aakar Patel in The News, Pakistan:

chupA pop band from Pakistan came to India last week. Zeb and Haniya are two girls who play the guitar and sing. They got the usual treatment Pakistanis get from our press: front page story in the Times of India (another inside), in the Indian Express, interviews with the news channels and with radio stations. They got invited to concerts, to Bollywood parties and were able to meet the film industry’s music directors and producers.

All of this was during just a few days in Bombay. Next week they will go to Bangalore and Delhi and much of the same will happen there as well.

Strangely, this has happened to them without anyone in India ever having heard their music. Their first album, Chup, has not yet been released here yet, though a live performance by them is available on an excellent website called cokestudio.com.pk. This level of enthusiasm for them was purely because of the fact that they are Pakistani. A pair of Indian girls who decide to form a band will not get this sort of coverage, nor will unknown bands from America or elsewhere. A second reason could be that they are Pakistani girls, and that is novel to us because we associate Pakistan mainly with bearded men.

Zeb and Haniya are cousins. They are Pashtun: Bangash from Kohat, a fact that did not register in India though it should have because one of our most famous musicians is also Bangash: the sarod player Amjad Ali Khan.

A third reason that they were received well in Bombay is that the reputation of popular Pakistani art – singing, writing, music – is high in Delhi and Bombay (south and east India don’t care because their cultures are different). Singers can walk into Bollywood pretty much by holding up their green passport. This is because Pakistanis bring something that not too many Indians have: a natural association with Bollywood’s culture, which is Hindustani or Indo-Persian. More: