Asian Window

In The Spectator, Salman Rushdie tells Matthew d’Ancona that the idea at the heart of his new novel set in 16th century Florence and India is that universal values exist and require robust champions

The last time I interviewed Salman Rushdie was, as he remarks, a lifetime ago. That was in February 1993, in a safe house in north London guarded by Special Branch officers, only four years after Ayatollah Khomeini sentenced him to death for the alleged blasphemy of The Satanic Verses. On that occasion, quite understandably, the novelist seemed shrunken: not only spiritually subdued, but physically compressed by the ordeal of the fatwa.

Fifteen years on, we meet in very different circumstances to discuss his new novel: The Enchantress of Florence, a lushly magnificent exploration of East and West in the 16th century. No longer creeping in the shadow of theocratic murder, Rushdie — or, more properly these days, Sir Salman — is animated and puckish. In a magic realist touch, it is as though the 60-year-old novelist is actually younger than he was in 1993. At any rate, his countenance and the spark in his eye today prove that you can come back from the dead.

more

Previously in AW, Rushdie’s new novel and new love interest: click here, here, here and here.

Similar Posts:

• Rushdie’s new novel out in June
• ‘Token Asians’ in the Booker shortlist
• The real uses of enchantment
• Salman Rushdie: provoking people is in my DNA
• Cassocks and Codpieces